About Us

Co-Founder, Artistic Director

Daniel Kopp, co-founder and artistic director of Austin Camerata, is an active cellist and educator in Austin, Texas. An avid chamber musician, he has performed across the country, including at Tanglewood, Aspen, and Kneisel Hall. Notable orchestral performances include his debut at Carnegie Hall as principal cellist of the New York String Orchestra Seminar and at Seiji Ozawa Hall as principal cellist of the Tanglewood Music Center Orchestra. Through Austin Camerata, Daniel creates chamber music, dance, and storytelling collaborations at venues across central Texas. Austin Camerata has been praised by the Austin American-Statesman for its “unadulterated beauty” and nominated by the Austin Critics Table for ‘best classical ensemble.’ In addition to Austin Camerata, Daniel has performed with the Grammy-winning choral ensemble Conspirare, the Austin Symphony Orchestra, Ventana Ballet, and Beerthoven.

Daniel graduated from the Shepherd School of Music at Rice University and the Butler School of Music at the University of Texas. His teachers include Bion Tsang, Norman Fischer, Cathie Lehr-Ramos, and Mary Lou Gotman. In addition, he’s had the honor of studying chamber music with members of the Juilliard, Cleveland, and Miro Quartets. A devoted educator, he serves on the faculty at the Manitou Chamber Music Festival, Stringwood Chamber Music Festival, and the Clavier-Werke School of Music.

Co-Founder

Marisa Ishikawa is an avid performer, educator, and entrepreneur based in Houston, TX. As a violin teacher and a founder and faculty member of Opus 1 Chamber Music School, she is passionate about cultivating a love for music in her students. As a performer in the internationally renowned Carpe Diem String Quartet and co-founder of the arts non-profit Austin Camerata, she is devoted to curating and presenting inclusive and engaging performances that showcase diverse composers and styles of music. In her free time, Marisa enjoys cooking and practicing yoga.

As a performer, Marisa has performed in Carnegie Hall, The Kennedy Center, and Jordan Hall, as well as throughout Europe and China. She serves as the second violinist of the internationally recognized Carpe Diem String Quartet, a boundary-breaking ensemble that has earned widespread critical and audience acclaim for its innovative programming and electrifying performances. With the Quartet, she appears on the quartet’s recording, Dances of the Yogurt Maker, which features the string chamber works of Turkish composer Erberk Eryilmaz. This album was released in May 2021 on the MSR label, was produced by Grammy Award winner Judith Sherman, and received Gold Prize in the Global Music Awards. Marisa also composed her first work for string quartet as part of the quartet’s interactive virtual performance An American Story. This performance was sponsored by the PNC Arts Alive Grant and was released in May 2021.

In 2021, Marisa co-founded Opus 1 Chamber Music School, Houston’s chamber music program. Opus 1’s goal is to create experiences and ensembles – tailored to the unique personality and playing of every student – that foster a sense of community, high standards, and enthusiasm for each other and chamber music. Whether a student intends to pursue music as a career or as a lifelong hobby, Opus 1 equips them with the interpersonal and musical skills and passions that chamber music uniquely provides.

Marisa was born in Boulder, Colorado and began playing the violin at the age of three. Between 2011 and 2015, she earned a Bachelor of Music with Highest Honors from the University of Colorado Boulder. Additionally, she received a Bachelor of Science in Business Administration with High Distinction from CU Leeds School of Business. From 2015 to 2017, Marisa studied with Brian Lewis at the University of Texas Austin, where she received the Starling Distinguished Violinist Scholarship and earned a Master of Music degree. In 2020, she earned her Doctor of Musical Arts degree from CU Boulder under Charles Wetherbee. Her final thesis, Keeping and Retaining Audiences in Today’s Classical World, explored reasons for and solutions to classical music’s declining audience population.

Marisa has worked with numerous artists, such as Glenn Dicterow, Naoko Tanaka, Alexander Kerr, Rachel Barton Pine, Ani Kavafian, Peter Otto, and Stephen Rose, the Takács String Quartet, and the Miró String Quartet. As a soloist, Marisa has performed with the National Repertory Orchestra, the Austin Civic Orchestra, and the Greater Boulder Youth Orchestra. Additionally, she has participated in the National Repertory Orchestra and the Aspen Music Festival.

www.marisafrances.com
www.cdsq.org
www.opus1cms.com